In
each of my short story collections, I include an “afterword” called ORIGINS
that speaks a little about where the stories came from, and since my writing
for Swordsmaster (and this blog) has suddenly halted at the insistence of a new
story (“Pipes”), now is as good a time as any to explain how these things
happen.
Below
is the ORIGINS section from my first collection, titled Things I Could Get OUT
OF MY MIND. And below that is a coupon for 50% off from smashwords if you
decide you’d like to read it.
Just
saying…
Origins
People have
on occasion asked me how I write - more specifically, how do my stories
“happen”. I’m not a great planner - even in life I tend to fly by the seat of
my pants, and my writing process reflects that.
I don’t do
outlines - at least not for a first draft; it would be foolish, since I rarely
know where the story is heading (I know where I want it to go, but I can’t be sure it will get there.) I just need
a starting point; it can be a phrase (I’m fond of puns and double-entendres), a
single word, a full sentence, a piece of tech that I’ve read about or
envisioned. I start writing, and the story pretty much builds as I go. I rarely
try to write a story to a particular word limit - the story is as long as it
wants to be. Sometimes, I don’t know how it’s going to end until it does.
“Passed
Life” started as a project exploring FATE for a college class on mythology. It
was brief (1700 words), but I was in love with the idea, and when I decided to
become a writer as my mid-life renaissance, my first attempt was a rewrite of
this ... year-old story (hint - I still had the original printout from my brand
new Apple II.) The image of the colonial
merchant bending over a newspaper machine in the rain is always in my mind.
“B.I.T.”
resulted from a writing exercise book in which I had to write down fifteen potential
first lines that I would never start a story with. When I tried writing from
“My dog doesn’t know who I am”, my first thought revolved around a dog with
Alzheimer’s, so I threw that idea out and let the dog have a legitimate reason
not to recognize the owner, and this grew into “B.I.T.” Self- identity
confusion seems to crop up a lot in my thinking...
“Through Her
Eyes” was triggered by a writing challenge (I never entered) about the victim
of a haunting. I thought of letting a ghost communicate with their blind former
lover by passing her visions into his mind. The story I originally envisioned
was much longer than “Through Her Eyes” became, but I was more interested in
the vision idea than in writing what could have turned into a melodrama. Although
I still have a lot of images floating in my mind related to this...
“Business is
Business” was an attempt to tell Rumplestiltskin from a perspective that made
the fairy tale a fairer tale. I always felt the miller’s daughter in the
original tale was a bit too innocent to be believable. Her father lied, the
King was greedy, she makes a deal with the gold-spinner, gets what she wants
and then regrets it and wants to reneg on the deal. Rumplestiltskin even gives
her a way out; why is he considered a monster? And why did he want the child in
the first place?
“A Dish Best Served” started simply with a
desire to use an x-course meal as the vehicle for a story. I started writing
with the critic vs. chef theme, and the rest of the story came out of the pen
on its own (or with the help of my favorite Poe story, “A Cask of Amontillado”,
which has been floating in the back of my mind for most of my life.) I really
didn’t know if Bonaventure was going to survive the meal until HE opened his
mouth and complained at the end. Always a critic...
“Quiet!”
came from an idea I wanted to explore about encountering a hive-mind organism
on a fictitious planet, different enough from us that we might not notice them
(or how we were effecting them). The planet turned into our moon when I was
thinking about how little we’ve really done with manned space exploration since
the Apollo missions wound down with Apollo 17 in 1972. I find it hard to get
excited about orbiters like the ISS, but I’d be thrilled for a chance to step
on another planet (I’d like to make it to Mars in my lifetime, but I’ll settle
for the moon if I have to.) I wrote
the story, then researched the Apollo 17 transcripts for a place to connect my
fiction to reality.
<<<>>>
Our featured work this week (surprise!) is “Things I Could Get
OUT OF MY MIND” - here’s the link: https://www.smashwords.com/books/view/178302?ref=NoTimeToThink
Use coupon code KY65W to save
50% off the list price at check out on smashwords. The coupon is good through
July 20th. Enjoy!
<<<>>>
William Mangieri’s writing can be found in
many places, including:
- His Amazon Author page: http://www.amazon.com/-/e/B008O8CBDY
- Barnes & Noble: http://www.barnesandnoble.com/s/william-mangieri?store=book&keyword=william+mangieri
- Smashwords: https://www.smashwords.com/profile/view/NoTimeToThink
- Createspace: https://www.createspace.com/pub/simplesitesearch.search.do?sitesearch_query=william+mangieri&sitesearch_type=STORE
Connect with him, go to “William Mangieri’s
Writing Page” on Facebook (and LIKE and FOLLOW), at: http://www.facebook.com/NoTimeToThink
Or
on his Goodreads author page: http://www.goodreads.com/author/show/6893616.William_Mangieri
Or
on twitter: @WilliaMangieri
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